Equipment

Cameras

Sony FS7 MKII with Sony 18-110mm   (Macie)

Sony Cine Alta PMW F-5                      (Macie)

Sony PDW-700  XDCAM HD  (2)          (Macie)

Sony Cine Alta PMW F-3   (2)               (Macie)

Panasonic HDX-900  DVCPRO HD 2/3" (Macie)

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Lenses  

Full set of Sony G Master lenses for the FS7

Set of Zeiss Compact Primes for F-5, FS7 and F-3

Fujinon HD 5.2 X 10 wide angle

or Fujinon (HD) HA 18 X 7.6 for PDW-700

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Audio 

Sound Devices 664, 552, or 302 broadcast mixers 

Wireless: Lectrosonics UHF (6), Lectrosonics VHF (4), SR-b Lectrosonics for camera hop    

Sennheiser MK-60 Shotgun with K-Tek carbon fiber boom pole

2-Lectrosonics UHF Cubes with Beyer Hand Mic (no scratches- looks great on air)

Sanken COS-11 (5)  and Sony (5) Lavalier Microphones

   

 

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Lighting

Litepanels Astra 6X (2), Diva Lights (3), HMI (2-400 Watt), Dracast 1X1 (2), Dracast 6" X 12", Peppers (3)

Chimera diffusion for Arri tungsten or HMI lights

Diva 200 (2), Diva 400 (1)

Full grip and support gear.

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Technical

4-Atomos Samurai Blade 10 bit external recorders.

Atomos Shogun 4K external recorder with 2 960 Gb drives to create MOV or MXF files.

Tektronix WFM-5000 Waveform, Vectorscope test set for camera alignment and set up. 

DSC Labs, Chroma Du Monde Chart for camera matching and post production color control. I created Beautiful Custom Profiles for my all my cameras; the scene files can be used to bring two cameras to a color match. 

Panasonic 17" LCD HD Field Monitor

2- 8" Panasonic LCD Field Monitors w/ SDI                                                                        

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